The night before Halloween, Wendy and June interview Pete Orbea about Port Gamble’s famous haunts and his psychic readings. Tune in on Wednesday, Oct. 30, 2019 at 10 PM ET for the full scoop.
Show’s Audio Recording:
About Pete Orbea
Pete Orbea works in the historic town of Port Gamble. He leads ghost walks and special investigations and coordinates the Port Gamble Ghost Conference. This has provided the opportunity to develop his skills for communicating with spirits and investigating the paranormal.
Pete became interested in the paranormal when he was 7 after witnessing two Native American warriors appear and vanish while on a road trip in northern Arizona. His interest piqued again during college while working at the Egyptian Theater in Boise, ID, a hotspot for paranormal activity.
While living in Port Gamble and getting to know others with similar interests, Pete felt at home in the haunted historic town. After joining the Olympic Peninsula Paranormal Society in 2013, he started to realize that he could speak with spirits.
He’s also very proud to be a member of the Extended Research Team of PRI (Paranormal Research & Investigations) as a Researcher/Investigator. Currently, Pete helps people through psychic readings and investigations in Kitsap County.
A three day conference (Nov. 8-Nov. 10, 2019) with classes, panel discussions, tours and investigations of the paranormal in Port Gamble, WA.
Investigations are $10/ea (Walker-Ames/Masonic Lodge $20, Limit 16 people per investigation time slot). Tickets may be purchased online, or at the Conference Registrations Table during conference hours and will be served on a first-come, first-serve basis.
Classes are $15/ea. Tickets may be purchased online, or at the Conference Registration Table during conference hours.
Daytime activities including speakers and most classes will be held at The Point Casino & Hotel. For conference questions, call Port Gamble Weddings & Events at 360-297-8074.
We will be speaking with the Wise and Irreverent Rune Woman, Ingrid Kincaid! The discussion will include Ingrid’s recently released book ‘Lost Teachings of the Runes: Northern Mysteries and the Wheel of Life’, and then see what other mischief we can get up to!
Tune in on Wednesday, October 9th at 10 PM E/9 PM C!
About Ingrid Kincaid
Known as the Rune Woman, Ingrid Kincaid is a born storyteller whose style of writing is a mixture of poetry and prose that is fueled by curiosity, sourced in wisdom and irreverence and woven around questions that beg to be answered. Ingrid lives life as an adventure. Her travels are both imaginary and real. She is an educator and workshop facilitator with over 40 years of experience. In addition to runes and Northern mysteries, she teaches courses in women’s wisdom and creativity, traveling throughout the United States and Europe.
Lost Teachings of the Runes: Northern Mysteries and the Wheel of Life
Lost Teachings of the Runes is an unexpected adventure into the hidden meanings and profound lessons held in these simple markings that are the signatures of ancient beings.
Lost Teachings of the Runes invites the reader to journey to the realms of past and future that exist hidden beyond the horizon and beneath our feet. Using an engaging blend of stories, meditations, and ancestral knowing, author Ingrid Kincaid explores Northern Mysteries from the center of the Wheel of Life. Kincaid demonstrates ways the Wheel can be used to connect ancient wisdom with modern life, and offers tools and teachings that may be used on a daily basis to enable readers to reclaim their personal power.
Lost Teachings of the Runes presents a life-affirming, death-honoring approach that returns the runes to a place of balance, to light and dark, to order and chaos, and to the roots and branches of the world tree.
In this show Roman Delgado will guide us on a journey into the world of Shamanism and Shamanic Healing. We will speak of this Ancient Spiritual Practice and gain an understanding of Soul Level Illness. We will be ranging from Power and Soul Loss to the Evil Eye and many things in between. Be prepared to understand energy hygiene and human interactions in new and useful ways!
We will also briefly touch upon Dia De Los Muertos – Day of the Dead, as the season is upon us.
Now, I’m no expert in any of these things, but I know what I enjoy. Research and Learning are at the top of my list. I will be delving into one aspect of Magic, Witchcraft, Folklore, Myth and/or Legend in each article. So, if you are so inclined, join me on this journey of discovery!
About Roman Delgado
Roman is a practitioner of Brujeria, Southern Conjure and Shamanic Healing. He grew up surrounded by magic and magical practitioners with his family in Mexico. Through his cultural upbringing he has gained a unique understanding of the ailments of the soul and the magical ways of healing them.
For this segment, Wendy will be talking with good friends, Denise Pridemore and Jen Smith, both of who have Appalachian family with strong leanings towards Folk Magics, Healing, and Lore. I’ve been doing my homework as well, so this should be an enlightening show!
Now, I’m no expert in any of these things, but I know what I enjoy. Research and Learning are at the top of my list. I will be delving into one aspect of Magic, Witchcraft, Folklore, Myth and/or Legend in each article.
So, if you are so inclined, join me on this journey of discovery!
The people who have called The Appalachian Mountains their home over the centuries and beyond are a mish-mash of the Native American Indian tribes – Shawnee, Cherokee, Creek and Delaware, just to name a few. Added in later were settlers from Ireland, Scotland, Germany, and more. When you mix in all of these different peoples. cultures and traditions – not to mention adding in ancient lore of the people brought in as Slaves – and blood, sweat, tears and deaths of those just trying to carve out a little niche in the world, you come up with the recipe for some powerful beliefs, magics, healing practices and downright scary – sometimes – ‘wise ones’..
I’ve run across the term ‘Granny Magic’ in several different articles and websites, and really get a kick out of the term. However, I feel it’s not really accurate since gender isn’t really the heart of the practitioners these days. But the traditions are definitely passed down from great-grandparents, grandparents, and on down the line. The Ancients and Ancestors are key elements of the rootwork, healings, conjurings and so on.
Anyway, this should be a very interesting and informative segment, so please join us!
On this episode, our hosts will be talking with Kyle J. Macias – Film Maker, and Seth Michael – Psychic Medium, about The Hat Man. Kyle recently released a documentary “The Hat Man: Documented Cases of Pure Evil”, so we will pick his brain on the subject and talk about the Documentary.
Seth Michael will give us his take on The Hat Man from a Medium’s perspective, as he has encountered more than one such entity.
History and Folklore Of Shadow Creatures and Hat Man
A number of religions, legends, and belief systems describe shadowy spiritual beings or supernatural entities such as shades of the underworld, and various shadowy creatures have long been a staple of folklore and ghost stories.
The Hat Man typically appears at night, dressed in a long, black trench coat, a black three-piece suit, and a black hat – either a fedora, top hat, or cowboy hat. Witnesses say the Hat Man’s eyes glow red and occasionally he checks a gold pocket watch chained to his belt. He is described as being at least six feet tall, though usually his stature reaches between seven to 10 feet.
About Kyle J Masias: Kyle J. Macias is an aspiring filmmaker specializing in narrative films and documentary films alike. He’s an avid researcher and paranormal aficionado covering a wide range of subjects, such as; the occult, entity contact and unknown realms.
“The Hat Man: Documented Cases of Pure Evil”, is his first documentary feature, covering the subject of shadow people, specifically focusing in on the distinct figure, the internet and eyewitnesses have dubbed ‘The Hat Man’.
Kyle J. Macias delved into the subject of ‘shadow people’ back in 2008, when he learned that his own family has had experiences with the “Hat Man”.
Throughout the duration of making this film, it came to Kyle’s attention that the ‘Hat Man’, is not just a figure seen in sleep paralysis or nightmares. The eyewitnesses are adamant that they also see him in waking life. Manifesting under street lamps, in the back of passenger seats, in the corner of the room, on the side of the road, peaking around corners and in some cases physical attack. Is the Hat Man hiding in the darkest places of our subconscious? Or is he crossing over to our physical existence? It may be both…
Our good friend Seth Michael is a natural born psychic/medium with over 28 years of experience giving formal readings. In addition to his work doing private and larger group readings, he co-founded a paranormal team called White Light Paranormal Insight where he is a Medium and the Director of Spiritual Resolves. Seth also co-hosted a web radio show called, Into the Light with Seth Michael and Teresa Kleve on Blog talk radio, and is an instructor for Awaken-Yourself Psychic/Medium Workshops. Seth Michael’s passion and intent is to assist others in reaching their higher-self and honing in on their own individual strengths. Seth Michael is also the primary focus of the, “All Around Us,” documentary currently in production. Whether the topics are about life issues, spiritual path direction or connecting with passed loved ones or animals, Seth Michael’s life mission is to help others, bring comfort, and hope. *Your reading is strictly private and confidential.
A Bit about Annwyn Avalon: Annwyn Avalon is a witch, priestess, and the founder of Triskele Rose, an Avalonian witchcraft tradition. She has devoted her life to the study of art, witchcraft, and magic. She has a BFA in sculpture and a BA in anthropology and has completed her Reiki Master teacher training and studied herbalism and Middle Eastern folk and esoteric dancing. Annwyn writes the Patheos.com blog, The Water Witch, and is an award-winning, internationally known dancer with a repertoire of water and mermaid themed belly dance performances. Visit her at: www.waterwitchcraft.com. https://www.facebook.com/AvalonPriestess/ https://www.facebook.com/triskelerose
An accessible in-depth guide to Celtic water lore, including spells, rituals, water spirits, and merfolk
Let Annwyn Avalon, a practicing water witch herself, take you into the world of water magic. The water magic and lore in this book focuses on the Celtic tradition, but draws on other water magic traditions as well, and features rainwater, as well as lakes, rivers, oceans, canals, swamps, and other watery locations, together with the folk and magical customs that have been and are still practiced at these places. The book teaches the reader how to set up a water altar at home, how to connect with water spirits, and how to gather or create water witch tools. Readers are encouraged to visit local water sites but will also find an abundance of material to perform at home. Included are practical examples, visualizations, and exercises so any reader can start to take up spell work and establish their spiritual connection to water.
On this episode of Wendy’s Magickal Studies, I will be talking about the gorgeous Harvest Moon as well as the Pagan Mabon/Harvest Home/Autumnal Equinox due to my Eclectic guest not feeling up to doing a talk at this time. Wishing her more good days!
Player will go to the show as soon as we go ‘Live’
Now, I’m no expert in any of these things, but I know what I enjoy. Research and Learning are at the top of my list. I will be delving into one aspect of Magic, Witchcraft, Folklore, Myth and/or Legend in each article. So, if you are so inclined, join me on this journey of discovery!
Eclectic Witch: A witch that embraces all types of magic and magical traditions, refusing to be pinned down to one type of magical practice.
The Spiritual Meaning Of The 2019 Harvest Moon Is About Releasing Yourself From The Past This is the season that starts a slow, patient process of death after a vibrant and burgeoning summer. However, this death is not the end. It’s about shedding skin, letting go, and cleansing yourself from deep within so you can prepare for a swift rebirth. The veil is thinning and the spiritual meaning of the 2019 Harvest Moon will help you dig into your heart and discover what truly lies there.
Taking place on Sept. 14 at 12:32 a.m. ET (Friday the 13th, for most of the United States), the Harvest Moon always happens nearest to the autumn equinox. According to TimeAndDate.com, this full moon marked the moment your ancient ancestors collected their crops and began storing them away for the impending winter. Spiritually speaking, the Harvest Moon is all about taking stock of your emotional and physical well-being, helping you come to terms with the results of the decisions you’ve made so far. After that, it’s about understanding what you could have done differently, forgive yourself for your mistakes, and decide that you’ll learn from them. Source: https://www.elitedaily.com/p/the-spiritual-meaning-of-the-2019-harvest-moon-is-about-releasing-yourself-from-the-past-18749391
Mabon Autumn Equinox, 2nd Harvest, Falls Between September 21 – 23
Mabon, (pronounced MAY-bun, MAY-bone, MAH-boon, or MAH-bawn) is the Autumn Equinox. The Autumn Equinox divides the day and night equally, and we all take a moment to pay our respects to the impending dark. We also give thanks to the waning sunlight, as we store our harvest of this year’s crops. The Druids call this celebration, Mea’n Fo’mhair, and honor the The Green Man, the God of the Forest, by offering libations to trees. Offerings of ciders, wines, herbs and fertilizer are appropriate at this time. Wiccans celebrate the aging Goddess as she passes from Mother to Crone, and her consort the God as he prepares for death and re-birth.
Various other names for this Lesser Wiccan Sabbat are The Second Harvest Festival, Wine Harvest, Feast of Avalon, Equinozio di Autunno (Strega), Alben Elfed (Caledonii), or Cornucopia. The Teutonic name, Winter Finding, spans a period of time from the Sabbat to Oct. 15th, Winter’s Night, which is the Norse New Year.
At this festival it is appropriate to wear all of your finery and dine and celebrate in a lavish setting. It is the drawing to and of family as we prepare for the winding down of the year at Samhain. It is a time to finish old business as we ready for a period of rest, relaxation, and reflection. Source: https://wicca.com/celtic/akasha/mabon.htm
Despite the bad publicity generated by Thomas Tryon’s
novel, Harvest Home is the pleasantest of holidays. Admittedly, it does involve
the concept of sacrifice, but one that is symbolic only. The sacrifice is that
of the spirit of vegetation, John Barleycorn. Occurring one quarter of the year
after Midsummer, Harvest Home represents midautumn, autumn’s height. It is also
the autumnal equinox, one of the quarter days of the year, a Lesser Sabbat and
a Low Holiday in modern Witchcraft. Recently, some Pagan groups have begun
calling the holiday by the Welsh name ‘Mabon’, although there seems little
historical justification for doing so.
Technically, an equinox is an astronomical point and, due to
the fact that our leap-year cycle causes dates to slip and then snap back into
place, the date may vary by a few days depending on the year. The autumnal
equinox occurs when the sun crosses the equator on its apparent journey
southward, and we experience a day and a night that are of equal duration. Up
until Harvest Home, the hours of daylight have been greater than the hours from
dusk to dawn. But from now on, the reverse holds true. Astrologers know this as
the date on which the sun enters the sign of Libra, the Scales (an appropriate
symbol of a balanced day and night).
However, since most European peasants were not accomplished
at calculating the exact date of the equinox, they celebrated the event on a
fixed calendar date, September 25, a holiday the medieval church Christianized
under the name of “Michaelmas”, the feast of the archangel Michael. (One
wonders if, at some point, the Roman Catholic Church contemplated assigning the
four quarter days of the year to the four archangels, just as they assigned the
four cross-quarter days to the four Gospel writers. Further evidence for this
may be seen in the fact that there was a brief flirtation with calling the
vernal equinox “Gabrielmas”, ostensibly to commemorate the archangel Gabriel’s
announcement to Mary on Lady Day.)
Again, it must be remembered that the Celts reckoned their
days from sundown to sundown, so the September 25 festivities actually begin on
the previous sundown (our September 24). Although our Pagan ancestors probably
celebrated Harvest Home on September 25, modern Witches and Pagans, with their
desktop computers for making finer calculations, seem to prefer the actual
equinox point, beginning the celebration on its eve.
Mythically, this is the day of the year when the God of
Light is defeated by his twin and alter ego, the God of Darkness. It is the
time of the year when night conquers day. And as I have recently shown in my
seasonal reconstruction of the Welsh myth of Blodeuwedd, the autumnal equinox
is the only day of the whole year when Llew (light) is vulnerable and it is
possible to defeat him. Llew now stands on the Balance (Libra/ autumnal
equinox), with one foot on the Cauldron (Cancer/summer solstice) and his other
foot on the Goat (Capricorn/winter solstice). Thus he is betrayed by
Blodeuwedd, the Virgin (Virgo) and transformed into an Eagle (Scorpio).
Two things are now likely to occur mythically, in rapid
succession. Having defeated Llew, Goronwy (darkness) now takes over Llew’s
functions, both as lover to Blodeuwedd, the Goddess, and as king of our own
world. Although Goronwy, the Horned King, now sits on Llew’s throne and begins
his rule immediately, his formal coronation will not be for another six weeks,
occurring at Samhain (Halloween) or the beginning of winter, when he becomes
the Winter Lord, the Dark King, Lord of Misrule. Goronwy’s other function has
more immediate results, however. He mates with the Virgin Goddess, and
Blodeuwedd conceives, and will give birth—nine months later (at the summer
solstice)—to Goronwy’s son, who is really another incarnation of himself, the
Llew’s sacrificial death at Harvest Home also identifies
him with John Barleycorn, spirit of the fields. Thus, Llew represents not only
the sun’s power, but also the sun’s life trapped and crystallized in the corn.
Often this corn spirit was believed to reside most especially in the last sheaf
or shock harvested, which was dressed in fine clothes, or woven into a
wicker-like man-shaped form. This effigy was then cut and carried from the field,
and usually burned, amidst much rejoicing. So one may see Blodeuwedd and
Goronwy in a new guise, not as conspirators who murder their king, but as
kindly farmers who harvest the crop that they had planted and so lovingly cared
for. And yet, anyone who knows the old ballad of John Barleycorn knows that we
have not heard the last of him.
They let him stand till midsummer’s day,
Till he looked both pale and wan,
And little Sir John’s grown a long, long beard
And so become a man….
Incidentally, this annual mock sacrifice of a large
wickerwork figure (representing the vegetation spirit) may have been the origin
of the misconception that Druids made human sacrifices. This charge was first
made by Julius Caesar (who may not have had the most unbiased of motives), and
has been restated many times since. However, as has often been pointed out, the
only historians besides Caesar who make this accusation are those who have read
Caesar. And, in fact, upon reading Caesar’s Gallic Wars closely, one discovers
that Caesar never claims to have actually witnessed such a sacrifice. Nor does
he claim to have talked to anyone else who did. In fact, there is not one
single eyewitness account of a human sacrifice performed by Druids in all of
Nor is there any archaeological evidence to support the
charge. If, for example, human sacrifices had been performed at the same ritual
sites year after year, there would be physical traces. Yet there is not a
scrap. Nor is there any native tradition or history that lends support. In
fact, insular tradition seems to point in the opposite direction. The Druid’s
reverence for life was so strict that they refused to lift a sword to defend
themselves when massacred by Roman soldiers on the Isle of Mona. Irish brehon
laws forbade a Druid to touch a weapon, and any soul rash enough to unsheathe a
sword in the presence of a Druid would be executed for such an outrage!
Weston, in her brilliant study of the Four Hallows of British myth, “From
Ritual to Romance”, points out that British folk tradition is, however,
full of mock sacrifices. In the case of the wicker man, such figures were
referred to in very personified terms, dressed in clothes, addressed by name,
etc. In such a religious ritual drama, everybody played along.
They’ve hired men with scythes so sharp,
To cut him off at the knee,
They’ve rolled him and tied him by the waist
Serving him most barbarously….
In the medieval miracle-play tradition of the “Rise Up,
Jock” variety (performed by troupes of mummers at all the village fairs), a
young harlequin-like king always underwent a mock sacrificial death. But
invariably, the traditional cast of characters included a mysterious “Doctor”
who had learned many secrets while “traveling in foreign lands”. The Doctor
reaches into his bag of tricks, plies some magical cure, and presto! the young
king rises up hale and whole again, to the cheers of the crowd. As Weston so
sensibly points out, if the young king were actually killed, he couldn’t very
well rise up again, which is the whole point of the ritual drama! It is an
enactment of the death and resurrection of the vegetation spirit. And what
better time to perform it than at the end of the harvest season!
In the rhythm of the year, Harvest Home marks a time of
rest after hard work. The crops are gathered in, and winter is still a month
and a half away! Although the nights are getting cooler, the days are still
warm, and there is something magical in the sunlight, for it seems silvery and
indirect. As we pursue our gentle hobbies of making corn dollies (those tiny
vegetation spirits) and wheat weaving, our attention is suddenly arrested by
the sound of baying from the skies (the “Hounds of Annwn” passing?), as lines
of geese cut silhouettes across a harvest moon. And we move closer to the
hearth, the longer evening hours giving us time to catch up on our reading,
munching on popcorn balls and caramel apples and sipping home-brewed mead or
ale. What a wonderful time Harvest Home is! And how lucky we are to live in a
part of the country where the season’s changes are so dramatic and majestic!
And little Sir John in the nut-brown bowl–
And he’s brandy in the glass,
And little Sir John in the nut-brown bowl
Proved the strongest man at last.
Legend of John Barleycorn
English folklore, John Barleycorn is a character who represents the crop of
barley harvested each autumn. Equally as important, he symbolizes the wonderful
drinks which can be made from barley — beer and whiskey — and their effects. In
the traditional folksong, John Barleycorn, the character of John Barleycorn
endures all kinds of indignities, most of which correspond to the cyclic nature
of planting, growing, harvesting, and then death.
written versions of the song date back to the reign of Queen Elizabeth I, there
is evidence that it was sung for years before that. There are a number of
different versions, but the most well-known one is the Robert Burns version, in
which John Barleycorn is portrayed as an almost Christ-like figure, suffering
greatly before finally dying so that others may live.
Golden Bough, Sir James Frazer cites John Barleycorn as proof that there was
once a Pagan cult in England that worshipped a god of vegetation, who was
sacrificed in order to bring fertility to the fields. This ties into the
related story of the Wicker Man, who is burned in effigy. Ultimately, the
character of John Barleycorn is a metaphor for the spirit of grain, grown
healthy and hale during the summer, chopped down and slaughtered in his prime,
and then processed into beer and whiskey so he can live once more.
in glass and barley
lyrics to the Robert Burns version of the song are as follows:
was three kings into the east,
three kings both great and high,
and they hae sworn a solemn oath
John Barleycorn must die.
took a plough and plough’d him down,
put clods upon his head,
and they hae sworn a solemn oath
John Barleycorn was dead.
the cheerful Spring came kindly on’
and show’rs began to fall.
John Barleycorn got up again,
and sore surprised them all.
sultry suns of Summer came,
and he grew thick and strong;
his head well arm’d wi’ pointed spears,
that no one should him wrong.
sober Autumn enter’d mild,
when he grew wan and pale;
his bendin’ joints and drooping head
show’d he began to fail.
colour sicken’d more and more,
and he faded into age;
and then his enemies began
to show their deadly rage.
took a weapon, long and sharp,
and cut him by the knee;
they ty’d him fast upon a cart,
like a rogue for forgerie.
laid him down upon his back,
and cudgell’d him full sore.
they hung him up before the storm,
and turn’d him o’er and o’er.
filled up a darksome pit
with water to the brim,
they heav’d in John Barleycorn.
There, let him sink or swim!
laid him upon the floor,
to work him farther woe;
and still, as signs of life appear’d,
they toss’d him to and fro.
wasted o’er a scorching flame
the marrow of his bones;
but a miller us’d him worst of all,
for he crush’d him between two stones.
they hae taen his very hero blood
and drank it round and round;
and still the more and more they drank,
their joy did more abound.
Barleycorn was a hero bold,
of noble enterprise;
for if you do but taste his blood,
’twill make your courage rise.
make a man forget his woe;
’twill heighten all his joy;
’twill make the widow’s heart to sing,
tho the tear were in her eye.
let us toast John Barleycorn,
each man a glass in hand;
and may his great posterity
ne’er fail in old Scotland!
In this episode, Jake, June and Wendy will be talking with Medea Aguiar and Karen Frazier, both of whom are Paranormal Investigators who along with our own June Nixon, have extensively researched and investigated the site – Karen even wrote a book about it – of the deadliest train disaster in History, killing at least 96 and injuring so many more..
During the early morning hours of March 1, 1910, an avalanche roars down Windy Mountain near Stevens Pass in the Cascade Mountains, taking with it two Great Northern trains and 96 victims. This is one of the worst train disasters in U.S. history and the worst natural disaster (with the greatest number of fatalities) in Washington.
On February 23, 1910, after a snow delay at the east Cascade Mountains town of Leavenworth, two Great Northern trains, the Spokane Local passenger train No. 25 and Fast Mail train No. 27, proceeded westbound towards Puget Sound. There were five or six steam and electric engines, 15 boxcars, passenger cars, and sleepers.
The trains had passed through the Cascade Tunnel from the east to the west side of the mountains, when snow and avalanches forced them to stop near Wellington, in King County. Wellington was a small town populated almost entirely with Great Northern railway employees.
The train stopped under the peak of Windy Mountain, above Tye Creek. Heavy snowfall and avalanches made it impossible for train crews to clear the tracks. For six days, the trains waited in blizzard and avalanche conditions. On February 26, the telegraph lines went down and communication with the outside was lost. On the last day of February, the weather turned to rain with thunder and lightning. Thunder shook the snow-laden Cascade Mountains alive with avalanches. Then it happened.
On March 1, some time after midnight, Charles Andrews, a Great Northern employee, was walking towards the warmth of one of the Wellington’s bunkhouses when he heard a rumble. He turned toward the sound. In 1960, he described what he witnessed:
“White Death moving down the mountainside above the trains. Relentlessly it advanced, exploding, roaring, rumbling, grinding, snapping — a crescendo of sound that might have been the crashing of ten thousand freight trains. It descended to the ledge where the side tracks lay, picked up cars and equipment as though they were so many snow-draped toys, and swallowing them up, disappeared like a white, broad monster into the ravine below” (Roe, 88). One of the 23 survivors interviewed three days after the Wellington train disaster stated:
“There was an electric storm raging at the time of the avalanche. Lighting flashes were vivid and a tearing wind was howling down the canyon. Suddenly there was a dull roar, and the sleeping men and women felt the passenger coaches lifted and borne along. When the coaches reached the steep declivity they were rolled nearly 1,000 feet and buried under 40 feet of snow” (Roe, 87). https://historylink.org/File/5127
Avalanche of Spirits: The Ghosts of Wellington tells the true story of Karen Frazier’s experiences at the site of the biggest avalanche disaster in the history of the United States. At least 96 people died in that avalanche on March 1, 1910. Nearly 100 years later, friends took Karen to visit the site of the Wellington disaster. What she experienced there changed her life forever. Karen – and many others – have come to believe that spirits still remain in the town of Wellington.
Karen Frazier spent the summer and fall of 2009 visiting Wellington, researching the history of the avalanche and town, and interviewing people who have had unusual experiences there. Avalanche of Spirits: The Ghosts of Wellington is a unique combination of all three. Part historical account, part ghost story and part personal memoir, Karen weaves together the past and the present in a compelling story that will keep you spellbound. Visit Karen Frazier’s Amazon Author Page for a complete list of her books: https://www.amazon.com/Karen-Frazier/e/B006C7MPIK
We’ll be speaking with Cheralyn Darcey, Naturalist & Botanical Alchemist all the way from Australia, about her book ‘Faerie Spells’ and her accomplishments and affinities with authorship, art and her gardens!
The show will automatically play when we go ‘Live‘
About Cheralyn Darcey (from her Amazon Author page): Cheralyn Darcey is an Environmental Artist, Author and Botanical Explorer who has a passion for encouraging us to reconnect with Nature. She has travelled, researched and explored the cultures and histories from all times, places and beliefs and the connections humans have developed, not only the usage of plants but also the spiritual qualities of plants.
Uniquely in the Mind Body Spirit genre, Cheralyn illustrates her own publications with her field sketches and her fine art works and through this brings us a very complete, pure and rich resource and reference. Her Art has featured in workshops, exhibitions, art prizes and publications internationally for the last 30 years. Working in Waste to Art Mediums and Mixed Media, Cheralyn finds that creating works that encourage others to look a little deeper at what is already here, encourages a greater care and understanding of our Earth and ourselves. She was a selected Environmental Artist in Residence at the International Conference of Eco Ideas in 2011 and she has presented Environmental talks and presentations at the Australian Museum, North Head Environment Sanctuary and was an Artist in Residence, Sydney, Australia during the Year of Biodiversity. Cheralyn splits her time between Botanical adventures seeking forgotten orchids in forests to replanting rescued pot plants, to volunteering in her local Coastal Environment Centre driving the rest of the staff with her Flower Fun Facts.
The Book Of Faerie Spells Here is your invitation to enter the between world of the Faerie . Come and learn magick with the Fae Folk while deepening your personal bonds with Earth, Nature and Spirit. Endless possibilities will open as you create your own divine Faerie spells to enrich your life with happiness, balance and inspiration under their gracious and loving support.It includes: 60 sacred Faerie spells; spellcrafting and spellcrafting basics; magickal gardening; dedicated lessons on how to write your own spells; a personal grimoire journal section. Publisher: Rockpool Publishing (June 5, 2019) Publication Date: June 5, 2019 https://www.amazon.com/gp/product/B07SYXFTXB/